3/28/2024 0 Comments Trumpet solo transcriptions jazzHe rarely publicly politicized his race, to the dismay of fellow African Americans, but took a well-publicized stand for desegregation in the Little Rock crisis. Armstrong was one of the first popular African-American entertainers to “cross over” to wide popularity with white (and international) audiences. By the end of Armstrong’s career in the 1960s, his influence had spread to popular music in general. Armstrong is renowned for his charismatic stage presence and voice as well as his trumpet playing. With his instantly recognizable rich, gravelly voice, Armstrong was also an influential singer and skillful improviser, bending the lyrics and melody of a song. He earned a reputation at “ cutting contests“, and relocated to New York in order to join Fletcher Henderson‘s band. In Chicago, he spent time with other popular jazz musicians, reconnecting with his friend Bix Beiderbecke and spending time with Hoagy Carmichael and Lil Hardin. Around 1922, he followed his mentor, Joe “King” Oliver, to Chicago to play in the Creole Jazz Band. Coming to prominence in the 1920s as an inventive trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. In 2017, he was inducted into the Rhythm & Blues Hall of Fame.Īrmstrong was born and raised in New Orleans. His career spanned five decades, from the 1920s to the 1960s, and different eras in the history of jazz. Louis Daniel Armstrong (Aug– July 6, 1971), nicknamed “ Satchmo“, “ Satch“, and “ Pops“, was an American trumpeter, composer, vocalist, and actor who was among the most influential figures in jazz. Bing Crosby recorded the song again for his 1953 album Le Bing: Song Hits of Paris. Harry James also recorded a version in 1950. Ī version in 1977 by Grace Jones was also a successful international hit.”La Vie en rose” has been covered by many other artists over the years, including a 1993 version by Donna Summer. It was popularly covered by Latin singer Thalia. These were by Tony Martin, Paul Weston, Bing Crosby (recorded June 22, 1950), Ralph Flanagan, Victor Young, Dean Martin, and Louis Armstrong. The song became very popular in the US in 1950 with no fewer than seven different versions reaching the Billboard charts. “ La Vie en rose” is the signature song of popular French singer Édith Piaf, written in 1945, popularized in 1946, and released as a single in 1947. You can use it but you may not sell it.LyricsDes yeux qui font baisser les miensĬ’est lui pour moi, moi pour lui dans la vieĬ’est toi pour moi, moi pour toi dans la vie So, I give you: the very beginning of my transcription!ītw: I know it's very unlikely but just "in case of", my work is completely free. Btw: I write it down first myself (yes, with a PENCIL), without any help of sibelius, and then I write it in Sibelius (as a kind of check and correction). I'll also look in which key it actually is written. The reason for this is that I am using Band-in-a-box its piano to find notes. It's for trumpet in Bb but I'm writing it down in concert c, I'll transpose it later. So I'll upload my work here and maybe you guys can check it. Hopefully I will make tons of other transcriptions (maybe one of Trane's pieces one day ). So now I'm trying this trumpet solo of Willy Cook (or Billy, Duke should work on his pronounciation ) to start with. You train your hearing and rhythm at the same time. I thought: " Time to do the ultimate exercise, a transcription!". Since my teacher told me that I should improve my feel of rhythm,
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